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Showing posts with label Blood Colony. Show all posts
Showing posts with label Blood Colony. Show all posts

Monday, September 27, 2010

My African Immortals Series--next installment, My Soul to Take (2011)

In 1997, I published a novel entitled My Soul to Keep that marked the beginning of what I now call my African Immortals series.  The story centers around a 500-year-old Ethiopian immortal named Dawit and the Miami newspaper reporter, Jessica, who is unwittingly married to him.  At the time, I had no series in mind.

The novel was a watershed for me:  It has endured as a reader favorite, and was blurbed by Octavia E. Butler and Stephen King, who wrote that it "bears favorable comparison to Interview with the Vampire."  The genesis of the story was simple:  What would it be like to discover that your husband has a secret?  What if he never got sick and never aged, and his Brothers were ready to summon him home?

Ultimately, My Soul to Keep is about the price of immortality.

In 2001, I published what I thought would be the definitive sequel, entitled The Living Blood, which won a 2002 American Book Award.  With the birth of an immortal child named Fana, this book wrestled with questions of parenthood and destiny:  How do you raise a child who is more powerful than you are?  This novel also introduced the concept of how dangerous it might be to have blood in your veins that could heal any illness with only a drop.  (Think of nations rich in oil or diamonds, and you get the idea.  Conflict follows riches.)

In 2008, I published another unexpected sequel, this one entitled Blood Colony, which revisited my powerful toddler as a headstrong teenager bent on distributing her blood to the world in the form of a an underground drug called Glow.  I also introduced the idea that my African Immortals are not the only ones with the Living Blood to give them eternal life...and that even a great gift can be badly abused.   Blood Colony was nominated for an NAACP Image Award.

Unlike with its predecessors, I knew that I wanted to write another installment after Blood Colony...because the story of Fana's meeting with her immortal Bloodborn counterpart was far from over.

Last week, I turned in a manuscript for a novel my publisher has tentatively entitled My Soul to Take (no, it's not the Wes Craven movie coming out this month), which will be what my sister jokingly refers to as "the fourth novel in a trilogy."  This novel will begin a year after Blood Colony, which was set in the year 2015, and it picks up the story almost exactly where it left off.  This installment is about the price of power.

Unfortunately, the fourth African Immortals novel won't be published until the fall of 2011, which is a long wait   for all of us.  To help give readers a "fix," I've launched a Facebook fan page for Fana [see sidebar], written in her own voice, to help establish the world of the novel with snippets from the character's life.   In my writing blog, "Tananarive Due Writes," I'll post soon about how difficult it is to pull myself out of the daily writing of that book and walk away yet again.  (Thank goodness I can leapfrog to other projects like the Devil's Wake zombie novel I'm co-authoring with my husband, Steven Barnes.)  

I can't thank readers enough for the support they have given this series, which has truly changed my life.  I first met actor Blair Underwood through My Soul to Keep, since he was electrified by the immortal character Dawit.  Now, Blair, Steve and I have published three installments of the Tennyson Hardwick mystery series you have seen on this blog.  (My Soul to Keep is currently in film development at Fox Searchlight, where it has been for about seven years.  Blair is one of the producers who helped get it set up at the studio.  Whenever there is news, I will post it here and on Fana's Facebook page.)

There is plenty of time for readers to reacquaint themselves with the first three books in the series, or to discover them for the first time.  I hope to meet readers new and old through Fana's Facebook page, and I'll do everything I can to make the next year pass quickly.

Let's have some fun while we wait!

Thursday, July 24, 2008

Tananarive Q & A


I try my best to answer reader questions individually, but that isn't always possible. So...I've decided to start posting questions and answers on my blog. Thanks so much for your interest!
--Tananarive


Q: How can I purchase audio books on CD for My Soul To Keep, The Living Blood, and Blood Colony? These are my grandmother’s favorite books, and I routinely read them to her, but have just taken a full-time job and would like to give these to her as a gift. Please advise as soon as possible, as I would like to surprise her for her 85th birthday August 30th. Thanks for your help.--S.M.

A: That's wonderful that you read these books for your grandmother--and I definitely recommend that ALL readers check out audio books, especially older readers. I am currently listening to the audio book of The Good House as I fall asleep at night. (No, it doesn't give me nightmares!)

My Soul to Keep and The Living Blood are available on MP3 audio form (i.e., for an iPod) from Audible through Amazon.com. You may also purchase or rent them from Recorded Books at www.recordedbooks.com--although I warn you, they are expensive to buy!

Unfortunately, at this time there is no audio book for Blood Colony.

Q:I really LOVE your novels. I actually had the chance to make it out to your book signing in Burbank in June and it was truly a highlight of my trip to Los Angeles! I just finished reading the autographed copy of The Blood Colony. But one question has been nagging me since i read the living blood. Why didn't Teferi die from exsanguination when his son drained his blood from him? --Nicole B.

A: Ah!!! This is a question from a hard-core reader of my African Immortals series. In The Living Blood--the second book in the series--one of my immortals, Teferi, tells the story of being drained of his blood by his jealous mortal son, who is stealing blood to heal himself.

Why do some immortals die when their blood is drained and others do not?

The answer is simply this: magic. The kind of exsanguination performed on Teferi was by a mere mortal who slit him open. The blood would drain, but not ALL of it... and the remaining blood would rejuvenate. Fana is also not just any immortal: She has enhanced psychic abilities that enable her to exsanguinate mortals or immortals alike through the power of her mind. In Fana's case, exsanguination is COMPLETE. There are no remaining blood cells to rejuvenate. Because of her abilities, she can achieve perfection in a way a random throat-slitting would not. (There would still be some blood left SOMEWHERE...)

Q: Whatever happened to the film version of My Soul to Keep?

A: Blair Underwood and his production partners Nia Hill and D'Angela Steed of Strange Fruit Films got My Soul to Keep set up at Fox Searchlight a few years ago. Thus far, the studio has not been happy with the script...so the movie is still in development.

One bright spot: I'm working on a film adaptation of my novel The Good House with my husband and writing partner, Steven Barnes. We've already been hired to write two drafts, and we're at work on the third. (I got my WGA membership!) Since this is also in development at Fox Searchlight, we are hoping for an opportunity to write a script for My Soul to Keep ourselves. But please be patient--we probably won't know until later this year!

Tuesday, January 15, 2008

BLOOD COLONY (June, 2008): Excerpt







ONE

****

The Colony
Friday
6 a.m.
2015



Gramma Bea was the first to rise in the Big House.

Each morning, Fana Wolde found her grandmother in the kitchen with Mahalia Jackson’s soaring voice consoling her from the old CD player while Gramma Bea patted balls of dough between her palms, measuring drop biscuits. Gramma Bea cooked with care, hour after hour, as if the fate of the world depended on her getting the ingredients and temperature just right.

Beatrice Jacobs was eighty-four, but she looked youthful in the black silk kimono she wore all day sometimes, when she didn’t have the energy to get dressed. By lunchtime, she would be sweating from the heat, but she never left her kitchen. When she wasn’t cooking, she was sitting at the kitchen table, either dozing or reading her Bible. Sleeping and praying took up the time left after cooking. She spent more time doing all three since her heart attack.

Like most people, Gramma Bea wore her thoughts like clothing, so Fana didn’t have to peek inside her grandmother’s head to understand her. Fana could see it plainly: Gramma Bea stored her grief in her baking breads and stewing pots. Cooking was her meditation.

Fana’s grandfather had died five years ago, when his car had overturned in a ditch in the woods a half-mile from his kitchen table, during a rainstorm. The accident had happened at three-thirty in the afternoon, snapping Fana out of meditation. Fana, the first to know he was dead, had shared her grandfather’s last, startled gasp.

Grandpa Gaines was dead before anyone could bring blood to him, where a drop might have saved him—or Dad might have been able to perform the Ceremony at the instant his heart stopped, in the ancient way. It was so unfair: Gramma Bea had lost her first husband to a car accident, too. And to lose someone here must feel worse, Fana thought. No one died here. Fana knew why Gramma Bea always kept his chair at the breakfast table empty, as if she expected him to come downstairs to eat, too. His absence was inconceivable.

“Don’t just stand there, baby,” Gramma Bea said. “Start squeezing the juice.”

The kitchen smelled like oranges in the mornings because Gramma Bea was from Florida and insisted on squeezing her orange juice fresh. The oranges were already chopped and waiting, so Fana only had to pick up her dripping fruit, hold half an orange in her palm, and scrape off the pulp in the white plastic juicer with the methodical turns of her wrist Gramma Bea had taught her to perfection; one of the few things Fana believed she did well.

Mom had bought a mechanical juicer years ago, but Gramma Bea wasn’t interested in technology except to listen to Mahalia and the Mississippi Mass Choir and the other gospel she filled her silences with. Gramma Bea thought machines were a distraction, and the music brought her closer to God. And closer to Grandpa Gaines, of course.

Gramma Bea thought about dying for a long while every day, working her way up to the idea. Sometimes, she didn’t mind. Day by day, she minded less. She had begun to think of it as an appointment she had to keep, one she’d put off long enough. Fana wondered what else her grandmother would do with her time if she didn’t have to think about dying.

But she doesn’t have to die, Fana reminded herself. She knows she has a choice.

“You’ve got some nice little hips now,” Gramma Bea said, dropping her dough into neat rows on the cookie sheet. “Nice legs, too. My legs.” Gramma Bea’s kimono was cut high the way a younger woman would wear it, to show off her legs. Her calves were veined blue, but her smooth shins had resisted wrinkles. “You should wear a dress when you go driving tomorrow.”

Fana felt alien enough outside without Gramma Bea’s criticisms! Mom and Aunt Alex never wore anything except T-shirts and jeans either. Sometimes it was hard for Fana to believe that Mom and Gramma Bea were the same blood: Mom never had casual conversations with her about going outside, especially not about clothes. Mom only filled Fana’s head with warnings.

“Why do I need a dress?” Fana said. “It’s just a driving lesson.”

“And lunch,” Gramma Bea said. “At a nice restaurant.”

“Pass. I’ll pack some food from home.”

Gramma Bea tsssked, a click against her teeth. “Go to a restaurant, Fana. Sit with the people for a while. It’ll be good for you.”

Fana hated restaurants. They always smelled like meat, and the tension was thick behind servers’ smiles and the kitchens' closed doors. Restaurants never felt at peace.

“Don’t you want to feel more comfortable around people, Pumpkin?” Gramma Bea said.

Fana felt stung. Now Gramma Bea sounded like Mom. “What do you mean?”

“I knew a young man from Midway, Florida...a trumpet player,” Gramma Bea said, speaking in a story, as she often did, never going forward until she remembered all the details. She wanted to make sure her life’s adventures would be remembered, even in passing. “He swore up and down he loved me, but I came to find out he didn’t invite me to his sister’s wedding. He said he was worried I wouldn’t know which fork to use and what-not. So seditty! And I told him, ‘Billy Taylor, what kind of love is that?’”

Fana waited. Sooner or later, Gramma Bea always remembered her point again. Gramma Bea went on: “Baby, liking from a distance isn’t the same as liking up close. You can’t like people if you won’t let them close to you.”

Fana felt her teeth grind. How many times did she have to tell Gramma Bea that crowds gave her headaches? Her family tried to understand, but they couldn’t. Not really. And what good would it do to go out and meet people? She would only lie to them, too.

I care about people in the way that matters, Fana thought. I heal them.

“I have friends,” Fana said instead. When she wasn’t reading or meditating, Fana was posting on ShoutOut, where she had hundreds of friends around the world who knew her as Aliyah Martin, an American student and Phoenix music fan living in Tokyo.

But Gramma Bea was wrong if she thought she spent her days role-playing and gossiping. Fana never used her webcam, and only three people outside of the colony knew her real name. One person alone knew who she really was, and Fana hadn’t seen her best friend in three years. She and Caitlin saved their real communications for an encrypted site, at least once a week. They deleted and scrubbed each other’s messages immediately.

Fana hadn’t gotten any messages from Caitlin in two weeks. Something was wrong.

Anxiety nested in Fana’s stomach, and she knew the chewing sensation would follow her until she tried to go to sleep, just like last night. She dreamed in nightmares, and always about Caitlin. Was Caitlin dead like Maritza? She can’t be, Fana thought. I would have felt her die.

Was Caitlin on the run, then? She had to be. But where?

“Typing on a screen isn’t the same as talking face to face,” Gramma Bea said, prying Fana’s worries wide open. “Life is something you touch. Typing is easy. Touching is hard.”

Gramma Bea was right: Fana needed to see Caitlin in person. But Caitlin couldn’t come here, the one place she might be safest. One of the Brothers would know Caitlin’s thoughts as soon as she arrived, and Fana couldn’t count on masking her. If I were a normal person, I could just drive out of here and go find Caitlin myself.

It was the worst quandary of Fana’s life, and not talking about it consumed her. Was it time to tell her family the truth?

Fana almost told Gramma Bea everything, right there in the kitchen on Friday morning.

“...that dress I got you for Easter is casual enough to wear as a tea dress,” Gramma Bea was saying, and Fana enjoyed remembering how much her grandmother had loved buying her clothes, even if she never wore them. Gramma Bea hadn’t been on a shopping trip in a year, and her catalogues were piling up in the coat closet. “You’re such a pretty girl, Fana. Why won’t you let anyone see you? It’s like you want to bury yourself in the ground and disappear.”

Did Gramma Bea know? Fana had started trancing again, too.

Sometimes when Fana meditated, she let herself get lost, hiding from herself the way she first learned when she was three and the world had gone badly wrong, when she stayed lost for years. Life was hard again, and Fana wanted to step out of it.

Fana felt her grandmother’s fingers beneath her chin, and the kitchen came into sharp focus: rows of cookbooks, watermelon knick-knacks and a polished floor. Did I trance that fast? Gramma Bea looked her in the eye, knowing. “Try to get used to things on this side, too. Not just the universe in your head, Pumpkin,” Gramma Bea said patiently. “Start with this.”

Gramma Bea held up a tube of lipstick the color of ripe mango pulp.

“It’ll do wonders for your smile,” she said. “You just put some on and stare at yourself in the mirror. It’ll make you feel good. Sit in your skin a while, child. Now, pucker.”

Fana pouted her lips, and her grandmother painstakingly guided the tube while Fana smelled perspiration, talcum powder and sweet, familiar Giorgio on her skin. Fana would know her grandmother’s scent with her eyes closed.

“Look at that!” Gramma Bea said, glowing as if she and Fana shared a face. She held up the shiny aluminum toaster for Fana to see her reflection: blurred brown features and a shimmer of orange-yellow light. “A little color works miracles. See how it brings out your lips? I still feel naked if I go outside without my lipstick, and nobody’s noticed my face for years. But, once?”

She laughed, her eyes twinkling with memories both joyful and sad. Gramma Bea rarely saw how beautiful she was; she only noticed what had changed since she was seventeen, too.

“Don’t worry, Gramma Bea,” Fana said. “Nobody’s noticing me either. Ever.”

Everyone else who lived at the colony was either related to her by blood or marriage, just a kid, or old enough to be her ancestor. Not to mention that she was also a freak.

“Somebody will notice you when you’re driving,” Gramma Bea said, certain.

“Like who?”

“You never know who, Pumpkin,” she said. “That’s the fun part—finding out. Twice in one lifetime, I was blessed with a good man. Twice. True love is an experience everyone should have, but you can’t find anyone when you’re hiding.”

Gramma Bea was from a generation when girls got married right out of high school, Fana remembered. They couldn’t be more different, in that way. Fana had known since she was three that she would always be alone.

“Men have the curse of their eyes, Pumpkin,” Gramma Be said. “Their eyes catch on to things first. It never seems right or fair, but it’s in their makeup. Until a man sees you with his eyes, it’s like he can’t see you at all. And if a man’s eyes take hold of his heart? He’ll move a mountain for you.”

“That just sounds shallow,” Fana said. “Why would I want anyone like that?”

Gramma Bea shrugged. “We didn’t make this world. The Lord did. We just visit here.” Fana sighed and picked up the toaster again, adjusting its angles in the light from the window to try to see her face through a stranger’s eyes.

“Do you see what I see now?” Gramma Bea said.

Fana nodded, forcing a smile.

The lipstick’s color was a promising speck, but Fana still couldn’t see her face at all.


© Copyright 2008 by Tananarive Due
Atria Books—June, 2008